The superior quality and reliability of the
S-4000 digital snake is made possible using
Roland's REAC digital transmission technology.
It is REAC that allows for such a low latency
and high quality digital snake, providing
all of the advantages of low cost, easy installation,
and pristine audio with zipperless remote
control of all preamp settings.
Roland's original newly invented
Ethernet technology
REAC (Roland Ethernet Audio Communication)
is newly designed technology for digital audio
transfer by Roland. The REAC spec provides
a high quality and safe, redundant digital
audio transfer system that can be easily installed
or integrated for any audio snake application.
REAC is a "plug and play"system
that is easy to configure and requires no
complex setup or computer operation. Plug
in your mics, plug in the Ethernet cable and
you're ready to go!
*REAC,
based on the Ethernet 100BASE-TX protocol, transfers signals using Cat5e
cable.
*Durable and reliable connector made by Neutrik
*Up to 40 channels of 24bit/96kHz audio plus
MIDI and remote control data can be transferred
in one cable.
High
quality and low noise digital transfer
Minimize a signal's
damage due to "noise pollution"
Hums and buzzes from external noise sources
can often be a problem for analog snake installation.
It can be difficult to know where potential
noise sources might be before installing a
snake. And solving subsequent noise problems
requires lots of experience and time. REAC
provides an effective solution to these installation
problems. Technically, the risk of noise pollution
such as the induction of hums and buzzes into
a digital snake is much lower than in an analog
snake, and cross talk is minimal or non existent.
This provides almost complete routing freedom
for your cable installations.
Super
Low latency digital transmission
Degradation of the audio signal is minimal
in any digital transfer system. However, musicians,
performers or even audiences may suffer from
the excessive latency of other digital transfer
systems. REAC eliminates these digital audio
transmission problems with its super low latency.
Even when transmitting 40 channels at 24bit/96kHz/Linear,
REAC's latency is only 0.375ms*. This very
low latency makes the S-4000 system perfect
for all audio installations, especially in-ear
monitoring systems.
High Quality Pre-amps on each input channel
In
an analog system, low-level microphone signals are boosted using a mic
preamp only after the long, arduous journey down the analog snake. For
this reason it's difficult to avoid degradation and cross talk. The S-4000S-3208
is equipped with high quality and remote controllable XR-1 pre-amps that
boost the input gain right at the microphone, where the highest quality
signal is found. This ensures that your audio will sound its best. And
of course once the signal is in digital form, it is immune to analog cabling
losses. The XR-1 pre-amp has been specially designed for live audio applications
and is made of high quality components carefully selected by Roland's
engineers.
Simple and low cost
installation with Cat5e cabling
REAC
brings another revolution to audio installations by eliminating the
need to use thick, heavy and hard to handle analog multi-pair cables
by transmitting audio using light, slim and easy to handle Cat5e cable.
On one very thin Ethernet cable, REAC can transfer 40 channels of high
quality 24bit/96kHz audio signal plus MIDI and remote control signals.
Since the cable used for REAC transfer is ordinary Ethernet cable, the
low cost and easy availability of the cable is a big advantage compared
with using analog cable. From temporary installations in outdoor concerts
to permanent installations in arenas or halls, REAC provides the benefit
of light weight, inexpensive and easy to install cable.
Free split and Extension with Switching Hubs
Remote Controller S-4000R
The S-4000R can be connected to either the
S-4000S-3208 or the S-4000H . It provides
easy remote control of all input gain adjustments,
phantom power and PAD settings. Since the
remote can save up to 10 setups to internal
memory, you can instantly recall the right
settings for performance and stage configurations
and room defaults instantly.
・Level
meter displays the input levels of 40 channels
・Instant recall of
appropriate setup from internal memory
・Gain adjustment for
each input channel and phantom power settings
This
unit has 32 inputs + 8 outputs and is typically installed at stage side.
The AD/DA conversion is 24bit/96kHz. High quality XR-1 pre-amps are
provided for each input channel, which can accept both mic and line
level inputs, eliminating the need for direct boxes. Phantom power and
an input PAD is available for each channel.
・Input Channel Indicator
This indicates Signal, Clip and On/Off status
of the phantom power for each input channel.
The status of the input channels can be checked
even from the stage.
・Analog Input Modules
On board 24bit/96kHz AD converters and high
quality mic pre-amps with phantom power supply.
・Analog Output Modules
On board 24bit/96kHz DA converters.
・REAC
Module
Redundant REAC transfer provides continuation
of audio transmission even in case of accidental
damage of one cable.
・MIDI terminals
MIDI is transferred down the snake from both
the In and Out MIDI connectors. These enable
the remote control of mixers or musical instruments
from external MIDI devices at the stage or
FOH positions.
・REMOTE terminal (RS-232C)
Connection for either the dedicated remote
controller (S-4000R) or a computer installed
with the remote control software (S-4000RCS*).*
S-4000RCS software is free and can be downloaded
from www.roland.com.
・Mute All Outputs button
When this button is pressed and held, all
Outputs in the S-4000 system will be muted.
This is convenient for changing cable connections.
・Cooling fans x 3
Internal heat is exhausted using 3 fans on
the rear panel reducing the operational noise
of the fans.

・Power Inlets
The Locking Arm is equipped to prevent accidental
unplugging of the power cord. The DC power
supply connection is provided for use with
an optional redundant power supply in case
of power supply failure.
32x8 FOH UNIT S-4000H
The S-4000H receives signals from the stage
and is typically placed next to the FOH mixing
console. Its 32 analog outputs are used to
send signals from the stage to the mixing
console and its 8 inputs for returning signal
such as Main audio or monitor mixes to the
stage. AD and DA conversions are 24bit/96kHz.
・REAC terminals
・Input terminal
8 channels of analog input with D-Sub connection.
・MIDI terminals (In/Out)
・Output terminals
32 channels of analog output with D-Sub connection.
8 channels per one D-sub.
・REMOTE
terminal (RS-232C)
・Cable strain relief
rail
Protective rail used to relieve cable strain
and to prevent accidental unplugging of the
D-sub cables.
・
Power
switch protection
Cover to prevent accidental turning off of the power switch.
Digital Snake system
provides easy and fast system setup.
You will have the freedom to easily expand
your system.
High quality and secure digital audio transmission
system that can be integrated at a very affordable
price.
Remote Control by computers
A computer can be connected to the
REMOTE terminals (RS-232C) of an S-4000S-3208
or an
S-4000H. Once the S-4000RCS software* is installed,
up to 160 channels of an S-4000 snake system
can be remote controlled from your computer
using up to 4 RS-232c ports.
* S-4000RCS software is free and downloadable
from www.roland.com.
Very long distance snake systems can be designed
using an optical converter
If the REAC Ethernet transmission is converted to an optical signal
using a approved converter compatible with 100BASE-TX, the system's
digital audio can be transferred for several kilometers.
* Transfer distance differs depending on the converters and cables.
The Modularity and flexibility
of the S-4000 system can be used to create
very complex audio transmission systems
・System design can be very flexible using
an S-4000 Digital Snake system made of many
units.
・Using multiple S-4000S-3208 and S-4000H modules,
large systems can be designed from 32 inputs
and 8 outputs to 64x16, 96x24 and up to 160
total channels or more.
The S-4000 system is designed to provide splits of its source audio using standard Ethernet hardware. Using switching hubs, you can send source audio to multiple recording consoles, a monitor position, broadcast location and more. No signal degradation will occur from the source's master output to the recording or any other split output.
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SC-A41
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SC-W100S 100 meter Cat5e cable Crossover cable with Ethercon connector of Neutrick (R) |
S-240P External Power Supply Unit Supplies redundant DC power to S-4000S-3208 or S-4000H. Outputs DC24V 6A power. |
